As long as “this thing” continues to be good news like I received in today’s mail. I just found out that one of my prints was selected for the Crocker Museum’s annual Art Auction!
I will have a piece of art hanging in a museum.
That is all kinds of kick ass!
And I needed that. Now we just need to get our house sold so that life can be all kinds of wonderful again! Cause March was kind of exhausting. On so many levels. The unplanned and accepted offer we put on a bigger house here in town, putting our house on the market, my friend Lisa passing away, the constant packing and cleaning and showing of house. ugh. All of which means I have not been able to make any art except when at class. Thank god for my printmaking class. Keeping me on the right side of sane.
So, let’s hope this one piece of good news rolls into more good news: revised offers and our house under contract. No more Open Houses. No more always being ready for realtors to come through. Then I can get my desk out of storage and get back to work!
or not so much…
My printmaking class started this week so I’ve been thinking about what images I want to create. Since I am in the “advance” class – 40B, I can pretty much do what I want. And you must have picked up by now that that kind of artistic freedom can be kinda paralyzing for me. Last semester we learned the following printmaking techniques: drypoint, collagraph, woodcut, and monotypes. And with each new assignment/technique, we were given a theme as a starting off point for our image. I played nicely within the given parameters and was pushed, learned a lot, and made some cool prints.
This time around? I need to write a brief proposal of what I plan to do this semester. What do I plan to do… what do I want to do? I know I want to make more monotypes. That’s kinda a no brainer. I definitely want to do another woodcut! Collagraphs were fun to create, but unless I have a flash of inspiration, I’m not that concerned with making another one. And drypoint… meh. Unless I come up with a really cool drawing, I could skip that too. Inking those plates is hard yo!
But since I knew today would be lecture for the 40A students and I didn’t have any other ideas fully fleshed out, I decided to work on the second drypoint I had started last semester. I never really got the plate to a finished state and I didn’t want to leave it hanging like so many knitting projects. So I was working on the plate when Nick (the instructor) came around the room to check in with everyone and see how their ideas/drawings were coming along. I told him my plan to finish last semester’s drypoint while I work on some ideas for new prints. He nodded and then asked me if I had considered combining printmaking and photography by printing a plate onto an actual photo.
Flashback to a year ago when Randy (my photography professor) suggested I combine my hand-painted negatives (Cliché verre – so like monotype printmaking!) with photo negatives when I do my Independent Study for Photography: Alt Processes.
And here I sit, 4 hours later, with my head spinning trying to figure out how to put these two things together. The same spinning wheels Randy had set in motion. And I still can’t quite see it. It’s not the technical “how” that is stumping me – that is easy – but what does the end result look like? What photo? And how do I change it with the print if the photo is already “complete”? Do I need to take new photos? (The answer is yes, but that has nothing to do with this specific problem.) Do I need to look at it is as a double exposure? Graffiti/vandalism? Adding elements? Blocking things out? ugh!
And I loath and love this place of complete frustration. I know that I will chew on this problem like a dog with a bone. I will lose sleep over it and make myself (and those around me) crazy until I figure it out. But when I do – it’ll be good!
”Raven” – collagraph